新竹行事曆 藝站One Station 《出神變-張士飛 陳伯義雙個展》

  2026年1月24日 – 2月21日
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活動簡介

展期:2026/1/24-2/21
開幕座談會:1/24(六),15:00-17:00
與談人:黃建亮、馬立群
藝術家:陳伯義、張士飛
地點:藝站 One Station (香山車站前)
新竹市香山區中華路五段347巷2弄1號

2026年藝站的首檔展覽,榮幸邀請到攝影家陳伯義及張士飛共譜台灣民俗中的「乩」、「靈」與祭儀信仰。「雙鏡頭、雙個展」,陳伯義與張士飛捕捉那些充滿神性、原始而野生的光影、行為和場景,向觀者展示人與神與靈之間的特殊敘事。

出神 創作理念/張士飛
原始祭儀、獻祭的生靈、祈求的人類甚至是野台戲與焚燒的金紙,無論在多麼現代化的當下,它們如何被包裹在進步的糖衣裡,都無法抹除那股原始又野生的混沌感。這種混沌感讓我感受到一種“裂縫”-----超越時間與空間的呼喚,並深深著迷於此。

試圖以不經意的光影、行為或場景,製造“一個超越現實的通道”。

而這樣的通道,也期許能讓我找到一個與自己精神世界相符的生死觀、宇宙觀。

關於張士飛
1982生於台南,畢業於台北實踐大學室內空間設計學系。
專長為公共藝術執行製作與現場協調。
目前為專職木雕創作、自由攝影創作。
木雕作品曾參與「2023三義國際木雕藝術交流展」三義木雕博物館,並於2025 舉辦首次木雕個展「我從遠方走向自己」台北秋刀魚畫廊。
攝影作品曾先後參與2018與2024台南國際攝影節展出。
並於2021獲得台南攝影節 攝影上桌 PHOTOGO獎。


神變 創作理念/陳伯義
關於「神變」這組作品是台灣民俗信仰習俗中的「乩」,是透過神靈附體、神通、問事、治病、驅邪的靈媒,是神人之間的溝通角色,在廟會中出現,以起乩與扶乩等形式來為神靈代言。神變就捕捉人性變成神性的轉化過程,有身體性、符號性、物件性和空間場域…等特質,而我透過鏡頭捕捉這些異化的瞬間,來展現精神昇華的狀態。

關於陳伯義
1972年生於台灣嘉義,2018年成功大學水利及海洋工程研究所博士。
曾參加2016年「傾圮的明日」在歐洲攝影之家、2018年「告訴我一個故事:地方性與敘事」在義大利的山德雷托·雷·雷包登戈基金會、2022年「麻豆大地藝術季」在總爺藝術中心與2024奧地利維也納的奧地利銀行藝術論壇美術館..等展覽。

從事過攝影教學及策展等工作,是臺南國際攝影節策展人,專長為攝影及海洋工程,作品曾被台灣美術館、高雄市立美術館、日本清里攝影美術館及歐洲攝影之家典藏,「紅毛港遷村實錄-家」入圍2015台新藝術獎。

主辦單位:藝站跨藝社
組織營運贊助:國藝會
贊助單位:太平洋建設


Spellbound x The Exorcist -Chang Shih-Fei & Chen Po-I Dual Exhibition
Dates: Sat 24 Jan - Sat 21 Feb 2026
Sat 24 Jan, 15:00-17:00
Opening & Forum:
Albert Huang, Ma Li-Chun, Chen Po-I, Chang Shih-Fei
Venue: One Station (next to Hsinchu Xiangshan Station)

The inaugural exhibition at One Station in 2026 proudly presents photographers Chen Po-Yi and Chang Shih-Fei, who together illuminate Taiwan's folk rituals of tji (trance mediums), ling (spiritual forces), and ceremonial faith. "Dual Lenses, Dual Solos," they capture divine, primal, and untamed instants of light, gesture, and ritual space, unveiling the profound narratives linking humanity, deities, and spirits.

Spellbound by Chang Shih-Fei
Primitive rituals, the sacrificed souls, the yearning of humanity, and even the open-air stages and the burning of joss paper—no matter how they are cloaked in the "sugar-coated" guise of modern progress, that primal, wild sense of chaos remains indelible.
This chaos reveals to me a "fissure"—a beckoning that transcends time and space—one that I find deeply haunting and transfixing.
Through the orchestration of inadvertent light, shadow, gestures, and scenes, I seek to construct "a conduit beyond reality." It is through such a conduit that I hope to reconcile a philosophy of life, death, and the cosmos that resonates with my inner spiritual landscape.

The Exorcist by Chen, Po-I
The work "The Exorcist" embodies the "medium" prevalent in Taiwanese folk beliefs and customs. It serves as a conduit for communication between the divine and the human, facilitating processes such as possession, supernatural powers, seeking guidance, medical mediumship, and exorcism. This role is often manifested in temple festivals through practices like trance (起乩) and sciomancy (扶乩), acting as a spokesperson for the deities. The essence of "The Exorcist" captures the transformation of human nature into divinity, characterized by physicality, symbolism, objecthood, and spatial contexts. I utilize the lens to capture these moments of alienation, thereby revealing the state of spiritual transcendence.

Chang Shih-Fei
Born in 1982 in Tainan, Taiwan, Chang Shih-Fei graduated from Shih Chien University with a degree in Interior Design. He is a specialist in public art production and site coordination.
Currently, he is a full-time wood sculptor and freelance photographer.
His wood carvings were featured in the 2023 Sanyi International Wood Sculpture Art Exhibition. In 2025, he held his first solo exhibition, "Walking Toward Myself from Afar," at Fish Art Center, Taipei.
His photography was showcased at the Tainan International Photography Festival (2018, 2024), and he received the PHOTOGO Award in 2021.

Chen Po-I
Born in 1972 in Chiayi, Chen Po-I received his PhD degree in Ocean Engineering at National Cheng Kung University (NCKU) in Taiwan (2018). As a photographer, Chen’s works concern the humanities and social aspects of Taiwan, using his lens to connect himself with the greater context of Taiwanese society. With this, his photographs have the power to express the collective memories of Taiwan. His photographic works are frequently invited for exhibitions, recently include Lendemain Chagrin (Maison Européenne de la Photographie, 2016), Tell Me a Story: Locality and Narrative (Fondazione Sandretto Re Rebaudengo, Italy, 2018), Mattauw Earth Triennial (Tsung-Yeh Arts and Cultural Center, 2022) and Tayouan: Homeland of Hybridity (Bank Austria Kunstforum Wien,2024).
At this moment, Chen is actively engaged in the photography education and also works as a curator of Tainan International Foto Festival. Some of his photographic works now become the permanent collection at National Taiwan Museum of Fine Arts (Taiwan), Museum of Fine Arts, Kaohsiung (Taiwan), Kiyosato Museum of Photographic Arts (Japan), Maison Européenne de la Photographie (France) and are also collected by private collectors. Records of the Relocation of Hongmaogang Village-Chen Po-I Solo Exhibition is shortlisted for the 13th Taishin Art Award.

Organizer: One Station of Transdisciplinary Art
Sponsor: National Culture and Arts Foundation
Pacific Construction Co., Ltd.

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抓取時間:2026-01-12 16:16
瀏覽次數:35
資料來源:藝站跨藝社

注意:出發前請去官網再次確認!本站內容由程式自動抓取,沒有算到疫情影響、例行休館日、國定假日、移師外地舉辦等等特殊情況。